THEATER FOR THE NEW CITY
Executive Director, Crystal Field
Presents
Tilted Axes: Circle With No Center
Music for Mobile Electric Guitars
October 2 – October 5, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM
Tickets $20, Students & Seniors $15
Run Time: 75 minutes
JOHNSON THEATER
THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions
Circle With No Center transforms the stage into a dynamic landscape where musicians playing mobile electric guitars and percussion move in choreographed formations, weaving intricate sonic textures that blur the lines between concert, dance, and immersive theater. Created by composer and performer Patrick Grant, the work invites audiences to experience music as a living, breathing environment — part ritual, part procession, and entirely unlike anything else currently on the New York stage.

Produced by: Peppergreen Media
Music by: Patrick Grant & Tilted Axes composers
Choreography by: Christopher Caines
Recorded & sequenced elements produced by: Jeremy Nesse & Patrick Grant
Performed by: Angela Babin, Elisa Corona Aguilar, Gene Ardor, Jeremy Nesse, Jim Lee, John Ferrari, Patrick Grant, John Halo, and Vince Caiafa
More info TBA at: #tiltedaxes — @tiltedaxes — www.tiltedaxes.com
About Tilted Axes
Tilted Axes: Music for Mobile Electric Guitars is an innovative performance ensemble that takes music off the stage and into unexpected places — streets, galleries, museums, and theaters. With amplified sound, choreography, and public engagement, Tilted Axes turns each performance into a unique, site-specific event.
Patrick Grant is a composer, performer, and producer living in New York City and creates audio for a wide range media and live performance. A native of Detroit, MI, he moved to NYC where he studied at the Juilliard School, worked on the production team for composer John Cage, and produced his first recordings in the studios of Philip Glass. For the stage he has created scores for theatrical visionaries The Living Theatre, Robert Wilson, and produced opening night spectacles for Obama portraitist Kehinde Wiley. He traveled to Bali three times to study the gamelan, work which manifested itself in his use of alternative tunings, ensembles with multiple keyboards, as Composer-in-Residence at Cornell University, and in his work with Robert Fripp & The Orchestra of Crafty Guitarists. He is the creator of International Strange Music Day (August 24) since 1998 and the mobile electric guitar procession (Tilted Axes) since 2011. He is a 2021 and 2023 recipient of a Composer Commissions Award from the New York State Council on the Arts (NYSCA), a two-time recipient (2020 & 2021) of a Creative Engagement Award from the Lower Manhattan Cultural Council, and a multiple nominee of the Detroit Music Awards (2017-2019). He is a Post Production professor at NYU Tisch School of the Arts Film & TV and helps produce the “How To Be A Better Human” podcast for TED & PRX. In 2023 he was a composer/judge for ASCAP’s Morton Gould Young Composer Awards.