Staged Reading: Scammed Into Love

Theater for the New City

Executive Director, Crystal Field

Presents

Staged Reading:

Scammed Into Love

Monday, January 13, 2025 at 7:00 PM
JOHNSON THEATER

$5 Suggested Donation

The suggested donation for the reading is $5. However, if you choose to give more, you can donate online when you purchase a ticket, or we will accept donations at the door!

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

Join us for a reading workshop for the new musical “Scammed Into Love”. Following Lorelei, who runs a romance scam company. She doesn’t care who she hurts to get her money. She ends up falling in love with one of her scam victims. After being given an ultimatum, she has to choose between her potential love and her business. This play’s question is “How much does one have to sacrifice to survive in this economy?

A full-length musical with the book written by Briana Bartenieff, lyrics written by Briana Bartenieff and J.H. Greenwell, and music composed by J.H Greenwell. Briana Bartenieff and My Le will direct this reading.

CAST
Rosie Allenson – Bella
Mactier Freeman – Sam
Sandy Melissa Garcia – Sam
Sara Gierc – Stage Directions
Kannon Gowen – Tommy
Audrey Latt – Lorelei
Maya Patridge – Olivia

The Peak

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

The Peak

By Claude Solnik
Directed by Robert Liebowitz
Inspired by Elizabeth Coplan and Grief Dialogues

January 16 – 26, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 1 hour 20 Minutes, no intermission
CINO THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Susan and Maya embark on a hike up a mountain to scatter the ashes of Susan’s husband Henry. The idea is to go to a place the couple loved and leave the ashes at a peaceful, final resting place. But soon enough, things happen that Susan never expected, as some things go wrong – and others go wonderfully right. A new, life-affirming dramedy by TNC resident playwright Claude Solnik written in the style of Elizabeth Coplan’s Grief Dialogues, a group and a movement about how love can help us deal with death and loss, and provide a greater appreciation of every moment of our lives.

CAST
Mackenzie Finley – Susan
John DeFilippo – Henry
Mary Rising – Maya

PRODUCTION
Robert Liebowitz – Director
Claude Solnik – Writer
Marsh Shugart – Lighting Design and light board operator
Ulric O’Flaherty – Set Design
Danielle Nahil Mullen – Stage Manager

Special thanks to Elizabeth Coplan and Grief Dialogues

Love N’ Courage 2025

Theater for the New City
presents
the 22nd Annual
Love N’ Courage Benefit

in support of TNCs’ Emerging Playwrights Program

Tuesday, February 18, 2025
at The Players Club
16 Gramercy Park South
New York, NY 10003

Cocktails 6pm
Seated Dinner 6:45pm
Performances 8pm

Featuring performances by
Charles Busch
Phoebe Legere
Thunderbird American Indian Dancers
and more!

Honoring Peter Schumann
Co-Founder and Director of the Bread & Puppet Theater

Fill out the form below to purchase tickets:

 

 

 

 

 

The Live Poets Society 2025-Jan-14

Theater for the New City

Executive Director, Crystal Field

Presents

The Live Poets Society

A poetry reading series

Curated by Lissa Moira

Tuesday, January 14, 2025
7 PM – 10 PM
Tickets: $5

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Food – Wine – Soft Drinks
Open Mic as time permits

Please join us for some New Year’s Poetry and artistic conviviality.

In Alphabetical Order

Austin Alexis
Madeline Artenberg
Stan Baker
Maude Lardner Burke
Didi Champagne
Peter Dizozza
Peter Dolack
Rachel Drummer
Alisa Ermolaev
Jim Feast
Dorothy Friedman
Duane Ferguson
Davidson Garrett
Phillip Giambri
WiilieAnn Gissendanner
Robert Hieger
Linda Kleinbub
Ron Kolm
Wayne Kral
Fran Luck
Peter Marra
Prince A. McNally
Lissa Moira
Valery Oisteanu
Puma Perl
Howard Pflanzer
John Sarno
Lorraine Schein
Bina Sharif
Jessica Slote
Peyton Watson
Richard West
Joanie Hieger Zosike

THUNDERBIRD AMERICAN INDIAN DANCERS’ POW-WOW AND DANCE CONCERT (2025)

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

50th ANNUAL THUNDERBIRD AMERICAN INDIAN DANCERS’ POW-WOW AND DANCE CONCERT

January 10, 2024 – January 19, 2024
Friday and Saturday at 8:00 PM,  Saturday and Sunday at 3:00 PM

Tickets $20
MATINEES ARE KIDS’ DAYS: At all matinée performances, children ages five to twelve who are accompanied by a ticket-bearing adult are admitted for $1.00 (adults $20)
Running Time: 1 hour 30 minutes
JOHNSON THEATER

PHOTOS AND VIDEO ARE AVAILABLE. See directions at bottom.

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

There will be dances, stories and traditional music from Native Peoples of the Northeast, Southwest and Great Plains regions. The event has become a treasured New York tradition for celebrating our diversity by honoring the culture of our first Americans. TNC donates all proceeds from the event to college scholarship funds for Native American students.

A Pow-Wow is more than just a spectator event: it is a joyous reunion for native peoples nationwide and an opportunity for the non-Indian community to voyage into the philosophy and beauty of Native culture. Traditionally a gathering and sharing of events, Pow-Wows have come to include spectacular dance competitions, exhibitions, and enjoyment of traditional foods.

Throughout the performance, all elements are explained in depth through detailed introductions by the troupe’s Director and Emcee Louis Mofsie (Hopi/Winnebago). An educator, Mofsie plays an important part in the show by his ability to present a comprehensive view of native culture.   He was awarded a 2019 Bessie Award for Outstanding Service to the Field of Dance. In 2017, he was honored, along with Garth Fagan and Martha Myers, with a Lifetime Achievement Award from American Dance Guild.

Highlights will also include a Hoop Dance set to guitar and flute music that will be performed on alternating dates by Marie Ponce (Cherokee and Seminole) and Matt Cross (Kiowa); a Deer Dance (from the Yaqui Tribes of Southern Arizona) with Ciaran Tufford (Mayan/Cherokee) and Carlos Ponce (Mayan), and various ensemble dances: a Grass Dance and Jingle Dress Dance (from the Northern Plains people), a Stomp Dance (from the Southeastern tribes), a Shawl Dance (from the Oklahoma tribes), a Fancy Dance (from the Oklahoma tribes) and a Smoke Dance (from the Iroquois). As the audience enters the theater, they will be serenaded by the Heyna Second Son Singers (various tribes).

Pageantry is an important component of the event, and all participants are elaborately dressed. There is a wealth of cultural information encoded in the movements of each dance. More than ten distinct tribes will be represented in the performance. The dozen-or-so dancers are people of all ages, raging from thirteen-year-old Isabel Cespedes (Mayan) to retirees.

Native American crafts and jewelry will be sold in the TNC lobby.

Matinées are kids’ days, when children aged five to twelve accompanied by a ticket-bearing adult are admitted for $1.00 (adults $18). At the conclusion of these matinées, young audience members are invited to pose for pictures with the dancers.

 

ABOUT THUNDERBIRD AMERICAN INDIAN DANCERS

The Thunderbird American Indian Dancers are the oldest resident Native American dance company in New York. The troupe was founded in 1963 by a group of ten Native American men and women, all New Yorkers, who were descended from Mohawk, Hopi, Winnebago and San Blas tribes. Prominent among the founders were Louis Mofsie (Hopi/Winnebago) and his sister, Josephine Mofsie (deceased), Rosemary Richmond (Mohawk, deceased), Muriel Miguel (Cuna/Rapahannock) and Jack Preston (Seneca, deceased). Some were in school at the time; all were “first generation,” meaning that their parents had been born on reservations. They founded the troupe to keep alive the traditions, songs and dances they had learned from their parents, and added to their repertoire from other Native Americans living in New York and some who were passing through. Jack Preston taught the company its Iroquois dances, including the Robin Dance and Fish Dance. To these were added dances from the plains, including the Hopi Buffalo Dance, and newer dances including the Grass Dance and Jingle Dress Dance. The company was all-volunteer, a tradition that exists to today. Members range in professions from teachers to hospital patient advocates, tree surgeons and computer engineers. Now Louis Mofsie says, “To be going for 60 years is just amazing to me, and to be able to do the work we do.”

The troupe made a home in the old McBurney YMCA on 23rd Street and Seventh Ave. Within three or four years, they were traveling throughout the continental U.S., expanding and sharing their repertoire and gleaning new dances on the reservations. A number of Thunderbird members are winners of Fancy Dance contests held on reservations, where the standard of competition is unmistakably high.

The Thunderbird-TNC collaboration began in 1975, when Crystal Field directed a play called “The Only Good Indian.” For research, Ms. Field lived on a Hopi reservation for three weeks. In preparation for the project, she met Louis Mofsie, Artistic Director of the dance troupe and a representative of the American Indian Community House. Mofsie suggested a Pow Wow and dance concert to celebrate the winter solstice. Field, who is herself 1% native American, committed herself to bring this to fruition. The event has continued annually to this day.

The troupe’s appearances benefit college scholarship funds for Native American students. The Thunderbird American Indian Dancers Scholarship Fund receives its sole support from events like this concert (it receives no government or corporate contributions), and has bestowed over 350 scholarships to-date. Theater for the New City has been presenting Pow-Wows annually as a two-week event since 1976, with the box office donated to these scholarships.

# # #

CRITICS ARE INVITED to all performances. Press contact Jonathan Slaff (212) 924-0496.

VIDEOS ARE AVAILABLE upon request.

2023 PRODUCTION PHOTOS: https://photos.app.goo.gl/BQefisDJzPgvr7Db9
2019 PRODUCTION PHOTOS: https://photos.app.goo.gl/ebLLGRPPQVHjJsxt8
RECENT YEARS’ PHOTOS: https://goo.gl/photos/tcrxbtPYtF2hdvhV6 and https://goo.gl/photos/SLr4PXEHJrsq34j9A
HISTORICAL PHOTOS of Pow-Wows from 2004 to 2015 are available for download at: https://goo.gl/photos/wUcenp6ZcPDcBCYD7

Shelley & Lovelace Never Met

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Shelley & Lovelace Never Met

January 30, 2025 – February 16, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 90 Minutes, no intermission
CABARET THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Mary Shelley was a disreputable prodigy and the inventor of science fiction. You’ve heard of her because she wrote Frankenstein. Ada Lovelace was a mathematical genius and the inventor of computer science. You haven’t heard of her at all.

Two tumultuous, parallel lives careened across Victorian London, disrupting marriages, academia, and everyone they encountered. And they never met. Isn’t that odd?

Canadian playwrights Becky McKercher and Sarah Thuswaldner wrote “Shelley and Lovelace Never Met”, the conversation that never happened. Directed by Alex Sisk, and performed by Robin Zerbe (Shelley) and Allison Fletcher (Lovelace), the witty, Gothic tribute to forgotten women debuts at Theater For The New City on January 30th, 2025.

The show begins as Shelley and Lovelace meet, quite by chance, at the grave of Lord Byron: friend to Shelley and absent father to Lovelace. At some point, someone pulls out a bottle of wine. They have a lot to get off their chests.

CAST
Allison Fletcher as Ada Lovelace
Robin Zerbe as Mary Shelley

PRODUCTION
Writer – Becky McKercher & Sarah Thuswaldner
Director – Alex Sisk
Set Design – Sean Lillis
Prop Design – Dan Beaudoin & Sarah Silman
Light Design – Andrew Lapointe
Stage Manager – Matthew Seepersad

The Shine Challenge, 2025

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

The Shine Challenge, 2025

A new play by Ishmael Reed
Directed by Rome Neal

January 30, 2025 – February 16, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time:
COMMUNITY SPACE THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Playwright Ishmael Reed explains why he wrote The Shine Challenge 2025: “Like members of most ethnic groups, the purpose of our schooling was to have us fit into the Anglo mainstream. At home and on the playground, other story-telling traditions were available, handed down through the generations as part of an oral tradition. The Bible might be the only book in the house. But there was a story-telling tradition that we kept from our parents because of the bad words. They were “toasts” and “the dozens,” which had endless variations.

“In my great uncle’s house, the only painting on the wall was that of the Titanic. The sinking of the Titanic challenged the boasts of white supremacy. From the collective imagination of the Black streets came the “toast” of “Shine,” who warns the first-class passengers that the ship, thought to be invincible, was taking water. One might consider Shine to be the grassroots nominee for a member of the Black prophetic tradition.”

Ishmael Reed has lengthened the 40 or so lines of the typical Shine rap into a 100-page script in which he expands on the issues addressed in the original toast: race, class, immigration, engineering, and Edwardian morality by putting Shine on trial in which he is both the accused and his own defense attorney.

One of the reasons Reed wrote the play was he found that members of three generations of Blacks had never heard the story of Shine. He calls the play The Shine Challenge, 2025 because he expects that a future playwright will expand upon what he has accomplished. During a time when there is a crackdown on Black culture under the banner of Woke, whose definition has been twisted by our enemies, every possible effort must be made to maintain Black, Brown, Native American and Asian American traditions. Our writers can be like the monks who protected the sacred texts from barbarians.

CAST
Monisha Shiva (Announcer)
Audrey Shon (Bailiff)
Malika Iman (Court Clerk)
Roz Fox (Judge Georgia St. Clair)
Carman Noelia (Prosecutor Francis Nunez)
Brian Simmons (S. Shine, acting as his own defense attorney)
Jesse Bueno (Captain Edward Smith, Captain of the Titanic)
Jordan Barringer (Helen Smith, the captain’s daughter)
Emil Guillermo (J. Bruce Ismay, owner of the Titanic)
Robert Turner (Jake “The Cat” Watson, prosecution witness)
Maurice Carlton (Jack the Shark, defense witness)
Rome Neal (Polar Bear Sam, defense witness)
Joy Reneé LeBlanc (Iceberg Sally)
Sekou Carradine (male understudy)

PRODUCTION
Director – Rome Neal
Writer – Ishmael Reed
Set Design – Chris Cumberbatch
Lighting & Sound Design – Alexander Bartenieff
Costume Design & Costume Mistress – Diana Chaiken
Stage Manager & Props Manager– Emily Yarmey
Production Coordinator – Carla Blank

 

What 2 critics wrote about The Shine Challenge 2024’s virtual reading”:

“[Ishmael] Reed has brilliantly molded the legendary African American folklore comedic poem of “Shine on the Titanic” into a plausible debate, questioning what really happened on the Titanic….’The Shine Challenge 2024’ is a crazy, rousing, slapstick tour…with more laughs than “Blazing Saddles” and more facts than Google, floating in the ocean of race, class, inequality, immigration, and what really happened on that ship. Look closely past all that insane humor and pay attention. Reed has pulled the covers off Shine. The truth is the light. Shine on.”

Ron Scott, New York Amsterdam News, April 4, 2024

In a Brilliant Burlesque on History, … America’s most inventive storyteller Ishmael Reed, the ever-insightful satirist has given us yet another masterwork that tickles our funny bone, stimulates our intellect, titillates our emotions, and challenges our imagination.  All the while giving us a solid history lesson in his inimitable style….A rare and brilliant achievement.

Playthell Benjamin, The New York Beacon, March 7-March 13, 2024

TIMES SQUARE ANGEL (2024)

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Is Pleased to present

The 25th Annual Holiday Performance of

TIMES SQUARE ANGEL

Written by and Starring Charles Busch 
(Based on an Idea by Andy Halliday & Charles Busch)
Directed by: Carl Andress
Featuring: Carl Andress, Nancy Balbirer, Christopher Borg, Peter Borzotta, Lawrence Bullock, Charles Busch, Andy Halliday, Howard McGillin, Nora Brigid Monahan, Ashley Austin Morris, Sidney Myer, and Jackie Sanders
The TSA Angel Band is led by Christopher McGovern and features, Bill Hayes, Lisa Kline, and Jackie Sanders
One Performance Only!
Monday, December 16, 2024 at 8pm in the Johnson Theater at TNC
(Tickets Go On Sale on Monday, November 18, 2024 at 10am EST)
Running Time: 90 Minutes
Producer:  Greg Santos
Stage Manager:  Dan Karlin
Wardrobe: Jessica Jahn and Rachel Townsend
Wigs:  Katherine Carr
Scenery: Mark Marcante, Lytza Colon
Lighting: Alex Bartenieff
COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

LISTS OF PROMISE

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

in association with Bill and Maura Haney, the Long Point Fund and New Stage Theatre Company Presents

LISTS OF PROMISE

Created by Ildiko Nemeth and Lisa Giobbi with Marie Glancy O’Shea

March 13, 2025 – March 29, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $25, Students & Seniors $20
Pay-What-You-Can Sundays
Run Time: 65 minutes No intermission
JOHNSON THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)

Inspired by When God was a Woman by Merlin Stone and created for the stage by Ildiko Nemeth and Lisa Giobbi, this performance piece, structured through classic theater and ungrounded aerial movement elements, traces the lives of a group of women from different eras and socio-political circumstances, through the lens of historical records and lists from mundane to extraordinary. Infused with humor throughout and presented in a series of interconnected vignettes, Lists of Promise questions the expectations and demands made of women by highlighting absurd, tragic, and ironic realities.

Created by: Ildiko Nemeth and Lisa Giobbi with Marie Glancy O’Shea
Directed by: Ildiko Nemeth
Aerial choreography by: Lisa Giobbi
Costumes by: Tamar Mogendorff in collaboration with Jessica Mitrani
Set design/ sculptures by: Tamar Mogendorff
Lighting design by: Federico Restrepo

Performing artists: Sarah Lemp, Lisa Giobbi, Rebecca Magazine, Lainey Mackinnon, Tatyana Kot, Renee Erikson, Amanda Langberg Hermansen, Elena Lozonschi, Elizabeth Foster, Jacob McKee

Aerial operators: Benny Oyzone, Abe Meisel, Jacob McKee, Manny Mendoza
Lighting Operator: Rodney Perez
Sound Engineer and Operator: Dalton LaPree-Chavez
Stage Manager: Chris Adams and Nora Butler

The program is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature.
The program is supported in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

THAT’S YENTATAINMENT!

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

LEAH FORSTER

In

THAT’S YENTATAINMENT!

The Show You Didn’t Know You’ve Been Waiting For

A Dangerous Mix of Comedy, Satire and Song

November 27, 2024 – December 15, 2024
Monday, Wednesday, Thursday, Saturday at 8:00 PM, Sunday at 3:00 PM
NO SHOWS:
THU, NOVEMBER 28 THANKSGIVING
WED, DECEMBER 11

Tickets: $25
Pay-What-You-Can Wednesdays
Run Time: 1 hour 20 minutes
COMMUNITY SPACE

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

If you don’t know a Lesbian, Orthodox Singer-Comedian who is shomer Shabbos (and who somehow gets away with it), then Now is the Time!
LIMITED ENGAGEMENT OF “THAT’S YENTATAINMENT!” PRODUCED BY NEW YIDDISH REP RUNS NOV 27 TO DEC 15

The groundbreaking Jewish comedy satirist Leah Forster, who boasts a fast-growing social media following over 100,000 strong, stars in her first solo stage show, That’s Yentatainment!, a daring mix of stand-up, song and flashes of digital media.
Something of a genie out of the bottle, Forster started performing stand-up in her Borough Park Hasidic community, where she was only allowed to perform for girls and curious housewives. Her inevitable break with the community came when she came out as a lesbian on social media.

After being shunned by her community, Forster has found unexpected redemption through social media, where her “Tichel Tuesday” videos are much-shared viral sensations.

“This show is my love letter to all the pieces of who I am – the Jewish humor, the Yiddish soul, the modern woman. It’s pure ‘YENTATAINMENT!’

“The Yiddish speaking world in New York is evolving in interesting ways,” David Mandelbaum, New Yiddish Rep’s artistic director, points out. “Leah provides striking evidence of this! I mean how many shomer shabbos Lesbian, Orthodox singer-comedians do you know?”