Fog and Filthy Air

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Fog and Filthy Air

A New Drama Inspired by Real Life Events, About Family, Fog and a Road Trip Gone Horribly Wrong

Written by Tom Diriwachter
Directed by Jonathan Weber

March 6 – 23, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 1 hour 30 minutes, no intermission
COMMUNITY SPACE

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

A new drama inspired by real life events written by Tom Diriwachter about family, fog, and a road trip gone horribly wrong.

Following a desperate phone call, Tim arrives by bus at the Hound Dog Motel, a by-the-hour hellhole outside Memphis, Tennessee, with the purpose of rescuing his parents from a 1996 road trip to Graceland gone horribly wrong. As the mystery of how they became stranded unravels, Father tells of hitting a fog bank, leading to his having an emotional breakdown. Stuck in a purgatory overseen by a black velvet painting of Elvis, Fog and Filthy Air is an intense drama that finds humor in the worst of circumstances. Ultimately, it is a love story.

“Inspired by real life events, Fog and Filthy Air interlaces the universal themes of family, dreams and death to tell a love story for the ages,” says playwright Tom Diriwachter. “While stranded in a purgatory, the family must deal with their past while learning that the people you rely on, will inevitably come to rely on you.”

CAST
Steve Gamble
Bob Homeyer
Kate A. McGrath*

*Appears courtesy of Actors’ Equity Association

PRODUCTION
Set Designer: Evan Frank
Lighting Designer: Alexander Bartenieff
Sound Design: Roy Chang
Production Stage Manager: Sara Gierc
Publicity: Paul Siebold, OFF OFF PR
Photos and Graphic Design by Peter Welch

 

Tom Diriwachter (playwright) – Fog and Filthy Air is Tom’s eighth full-length play produced in Manhattan, and fourth at Theater for the New City. In addition, he has had numerous one-acts produced at various theaters and festivals in New York and Los Angeles, including the Strawberry Festival, the Turnip Festival, Love Creek, Ensemble Studio Theatre, and West Coast Ensemble. He has been a featured artist in the LES Festival for the past decade. His play Great Kills starred Joe Pantoliano. Asterisk, his play about the baseball steroid crisis, was archived by the New York Public Library for the Performing Arts at Lincoln Center. Recently, he completed his first novel, Good Money After Bad.

Jonathan Weber (director) – As Director, credits include: Great Kills (featuring Emmy Award-winner Joe Pantoliano), A Healthy House, Age OutGuaranteed to Never Lose SuctionShock TherapyBear!The Professor and the Whore, and The Irish Goodbye, all by Tom Diriwachter; Thelonious!, and Two Alone/Too Together by Peter Welch; two plays by Oliver Thrun and six by Walter Corwin. He was Assistant Director for TNC’s award-winning Summer Street Theater tour for 11 years, under the direction of Crystal Field. Jonathan is Managing Director for Theater for the New City. He has held this position since 2018 and previously from 2009 through 2014. His association with Theater for the New City goes back to 2002. He is a long-time member of the planning committees for TNC’s Love N’ Courage Benefit and the Lower East Side Festival of the Arts, which will celebrate its 30th anniversary this Memorial Day weekend. He served as Managing Director for TACT/The Actors Company Theater from 2015 through 2018. He’s also Sharon’s husband, Madeline’s father and a member of SDC.

Meet the Cast
Steve Gamble (Tim) originally from Charlotte, NC, is a graduate of The University of North Carolina Wilmington, where he earned a BA in Film Studies with a minor in Theater. Now based in New York, NY, Steve is thrilled to collaborate once again with Director Jonathan Weber and writer Tom Diriwachter, their first being on A Healthy House in 2022. With experience spanning both stage and screen, Steve has brought depth and versatility to a variety of supporting and lead roles.

Bob Homeyer (Father) has been working as a writer and actor in New York for the past 15 years. He has appeared in two prior productions written by Tom Diriwachter and directed by Jonathan Weber; Age Out (2010) and Great Kills (2015), in addition to several of Tom’s one acts for the Lower East Side Festival. Other credits include Christopher Marlowe’s Julius Caesar (also co-writer and director), Three of a Kind with Two Wild Cards (also writer and director), Sign in the Six O’Clock Sky, Grand Theft Musical, Three Mile Limit, An American Worker, Rebecca Bonnie Bob, and Creditors. Follow Bob on Instagram at @bobhomeyer.

Kate A. McGrath* (Mother) – Film credits include Julia in “Clandestine” (Best Supporting Actress Award winner, Houston Broadcast Film Critics Award – David LaRosa, Director); Maryann in “DEALeR” (Screenwriting nomination, 2nd Annual Golden Door International Film Festival – Nick DeMatteo, Director); Bird in “Requiem” (David LaRosa, Director); Connie MacStevenson in “The Tale of Nicky Newarkˆ (David LaRosa, Director); Nina in “Lock-Load-Love” (David LaRosa, Director); Jess in “Running Time” (JR Timmons, Director), Kate in “Superstar Talent” (Lenny Marcus, Director). Stage Credits include CATAPULT! at Theater for the New City, Life Without Parole at Manhattan Rep, Weep for the Virgins at Irish Repertory Theatre, Guaranteed Never to Lose Suction and Stops (Along the Road) at Theater for a New City, The Blue Room with Black Nexxus in conjunction with Susan Batson, No Way Out with Impetuous Theatre Group, Sustaining at Manhattan Theatre Source, MotherLove at Creative Artists Lab and The Last Resort at Chashama Theatre. Screenwriting credits include “Clandestine” (2016), “The Basement” (as part of “Requiem”, 2013) and “DEALeR” (2012).

*Member, Actors’ Equity Association.

THE SIX PATHS

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

THE SIX PATHS

February 19 – February 23, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

ONE WEEK ONLY!

Tickets: $20, Students & Seniors $15
Run Time: 100 minutes, no intermission
CABARET THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Inspired by a short story named “Coi Luan Hoi” by Than Long and translated by Trang Ha, The Six Paths is a spiritual exploration of Vietnamese Buddhism, telling the story of a young demon who grapples with his identity and purpose in the universe. Through his transformative journey toward enlightenment, the play delves into themes of self-realization, cultural identity, and the search for belonging. It spans approximately 70 pages and is divided into two acts, blending traditional Buddhist concepts with contemporary theatrical innovation. At its core, The Six Paths seeks to resonate with audiences emotionally, offering a window into Vietnamese culture while also reflecting our shared human experiences. This story can inspire conversations about identity, existence, and the meaning of life.

About the playwright:
My Le is a playwright, director, and theater designer from Vietnam. In 2022, she became the youngest director in Vietnam to ever debut at The Hanoi Opera House. She has worked with prestigious theaters in New York such as Theater for The New City, Theaterlab, New Perspective Theatre, JACK NY, Krymov Lab NYC, and Little Island.

CAST
Harsh as Demon 1
Belle Le as Female Spirit
TuQuyen Pham as Ly Ly
Amy Hart Nguyễn as White Demon
Siwapol Andy McMurray as Black Demon and Old Farmer
Mia Rouba M.Kiss as The Ox puppeteer and Human
Đavid Lee Huỳnh as Dia Tang (Voiceover)
VyVy Nguyễn as Mother (Voiceover)

PRODUCTION
Playwright – My Le
Director – My Le
Co-producer – Thi Le
Marketing and PR Manager – CeCe Lindsey
Stage Manager – Callie Stribling
Choreographer – Jeevika Bhat
Sound Designer – Joshua Nguyen
Puppet Designer – Yanniv Frank
Light Design – Nicholas Spink

WHEN GOLD TURNS BLACK

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

WHEN GOLD TURNS BLACK

January 30 – February 16, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 1 hour 15 minutes including intermission
JOHNSON THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Tommie Smith and John Carlos are heralded world class sprinters bound for Olympic glory when their controversial college professor challenges them to speak out against racism on campus. They would become emboldened at the idea that they could effect change by boycotting the 1968 Olympic Games in Mexico City, Mexico, so much that they would agree to do so. The idea of a boycott became a rallying cry for black athletes around the country. The boycott would eventually be called off after their champion and staunch supporter Dr. Martin Luther King Jr., is assassinated. Dr. King’s death sent shock waves of hopelessness and defeat throughout the movement. Determined to bring about world attention to the plight of black America, they each must first accomplish their initial goal of winning an Olympic medal to make the podium. Tommie, John, and along with Peter Norman would make a spontaneous and profound gesture on the world’s largest stage to protest racism, and injustice. Together their silent protest would create one of the most iconic photographs of the 20th century, inspiring generations and athletes of goodwill around the world years later.

CAST
Leon Alexander as Tommie Smith
Dimitri Dewes Jr as John Carlos
Sania Hyatt as Kim Carlos
Brian Patterson* as Peter Norman
Jeffrey Roth* as Brent Musburger
Kelechi Udenkwo as Professor Edwards
Jes Washington* as Denise Smith

PRODUCTION TEAM
Ron Wilks – Writer
Count Stovall* – Director
Jacqueline Scaletta – Lighting Design
Cianna S. Stovall – Set Design & Props
Lo Oliviér – Costume Design
Lanii Johnson – Wardrobe Assistant
Michele Baldwin – Technical Director & Projection Designer
Diana Brito – Projection Design Assistant
Amy Stoller – Dialect Coach
Janice C. Lane* – Stage Manager
Ana Pri – Assistant Stage Manager

*Appearing courtesy of Actors Equity Association

Financial Wellness Seminar

Financial Wellness Seminar

Tuesday, January 14, 2025 at 7:00 PM
CINO THEATER

FREE EVENT

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

Staged Reading: Scammed Into Love

Theater for the New City

Executive Director, Crystal Field

Presents

Staged Reading:

Scammed Into Love

Monday, January 13, 2025 at 7:00 PM
JOHNSON THEATER

$5 Suggested Donation

The suggested donation for the reading is $5. However, if you choose to give more, you can donate online when you purchase a ticket, or we will accept donations at the door!

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

Join us for a reading workshop for the new musical “Scammed Into Love”. Following Lorelei, who runs a romance scam company. She doesn’t care who she hurts to get her money. She ends up falling in love with one of her scam victims. After being given an ultimatum, she has to choose between her potential love and her business. This play’s question is “How much does one have to sacrifice to survive in this economy?

A full-length musical with the book written by Briana Bartenieff, lyrics written by Briana Bartenieff and J.H. Greenwell, and music composed by J.H Greenwell. Briana Bartenieff and My Le will direct this reading.

CAST
Rosie Allenson – Bella
Mactier Freeman – Sam
Sandy Melissa Garcia – Sam
Sara Gierc – Stage Directions
Kannon Gowen – Tommy
Audrey Latt – Lorelei
Maya Patridge – Olivia

The Peak

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

The Peak

By Claude Solnik
Directed by Robert Liebowitz
Inspired by Elizabeth Coplan and Grief Dialogues

January 16 – 26, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 1 hour 20 Minutes, no intermission
CINO THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Susan and Maya embark on a hike up a mountain to scatter the ashes of Susan’s husband Henry. The idea is to go to a place the couple loved and leave the ashes at a peaceful, final resting place. But soon enough, things happen that Susan never expected, as some things go wrong – and others go wonderfully right. A new, life-affirming dramedy by TNC resident playwright Claude Solnik written in the style of Elizabeth Coplan’s Grief Dialogues, a group and a movement about how love can help us deal with death and loss, and provide a greater appreciation of every moment of our lives.

CAST
Mackenzie Finley – Susan
John DeFilippo – Henry
Mary Rising – Maya

PRODUCTION
Robert Liebowitz – Director
Claude Solnik – Writer
Marsh Shugart – Lighting Design and light board operator
Ulric O’Flaherty – Set Design
Danielle Nahil Mullen – Stage Manager

Special thanks to Elizabeth Coplan and Grief Dialogues

Love N’ Courage 2025

Theater for the New City
presents
the 22nd Annual
Love N’ Courage Benefit

in support of TNCs’ Emerging Playwrights Program

Tuesday, February 18, 2025
at The Players Club
16 Gramercy Park South
New York, NY 10003

Cocktails 6pm
Seated Dinner 6:45pm
Performances 8pm

Featuring performances by
Charles Busch
Phoebe Legere
Thunderbird American Indian Dancers
and more!

Honoring Peter Schumann
Co-Founder and Director of the Bread & Puppet Theater

Fill out the form below to purchase tickets:

 

 

 

 

 

The Live Poets Society 2025-Jan-14

Theater for the New City

Executive Director, Crystal Field

Presents

The Live Poets Society

A poetry reading series

Curated by Lissa Moira

Tuesday, January 14, 2025
7 PM – 10 PM
Tickets: $5

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Food – Wine – Soft Drinks
Open Mic as time permits

Please join us for some New Year’s Poetry and artistic conviviality.

In Alphabetical Order

Austin Alexis
Madeline Artenberg
Stan Baker
Maude Lardner Burke
Didi Champagne
Peter Dizozza
Peter Dolack
Rachel Drummer
Alisa Ermolaev
Jim Feast
Dorothy Friedman
Duane Ferguson
Davidson Garrett
Phillip Giambri
WiilieAnn Gissendanner
Robert Hieger
Linda Kleinbub
Ron Kolm
Wayne Kral
Fran Luck
Peter Marra
Prince A. McNally
Lissa Moira
Valery Oisteanu
Puma Perl
Howard Pflanzer
John Sarno
Lorraine Schein
Bina Sharif
Jessica Slote
Peyton Watson
Richard West
Joanie Hieger Zosike

THUNDERBIRD AMERICAN INDIAN DANCERS’ POW-WOW AND DANCE CONCERT (2025)

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

50th ANNUAL THUNDERBIRD AMERICAN INDIAN DANCERS’ POW-WOW AND DANCE CONCERT

January 10, 2025 – January 19, 2025
Friday and Saturday at 8:00 PM,  Saturday and Sunday at 3:00 PM

Tickets $20
MATINEES ARE KIDS’ DAYS: At all matinée performances, children ages five to twelve who are accompanied by a ticket-bearing adult are admitted for $1.00 (adults $20)
Running Time: 1 hour 30 minutes
JOHNSON THEATER

PHOTOS AND VIDEO ARE AVAILABLE. See directions at bottom.

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

There will be dances, stories and traditional music from Native Peoples of the Northeast, Southwest and Great Plains regions. The event has become a treasured New York tradition for celebrating our diversity by honoring the culture of our first Americans. TNC donates all proceeds from the event to college scholarship funds for Native American students.

A Pow-Wow is more than just a spectator event: it is a joyous reunion for native peoples nationwide and an opportunity for the non-Indian community to voyage into the philosophy and beauty of Native culture. Traditionally a gathering and sharing of events, Pow-Wows have come to include spectacular dance competitions, exhibitions, and enjoyment of traditional foods.

Throughout the performance, all elements are explained in depth through detailed introductions by the troupe’s Director and Emcee Louis Mofsie (Hopi/Winnebago). An educator, Mofsie plays an important part in the show by his ability to present a comprehensive view of native culture.   He was awarded a 2019 Bessie Award for Outstanding Service to the Field of Dance. In 2017, he was honored, along with Garth Fagan and Martha Myers, with a Lifetime Achievement Award from American Dance Guild.

Highlights will also include a Hoop Dance set to guitar and flute music that will be performed on alternating dates by Marie Ponce (Cherokee and Seminole) and Matt Cross (Kiowa); a Deer Dance (from the Yaqui Tribes of Southern Arizona) with Ciaran Tufford (Mayan/Cherokee) and Carlos Ponce (Mayan), and various ensemble dances: a Grass Dance and Jingle Dress Dance (from the Northern Plains people), a Stomp Dance (from the Southeastern tribes), a Shawl Dance (from the Oklahoma tribes), a Fancy Dance (from the Oklahoma tribes) and a Smoke Dance (from the Iroquois). As the audience enters the theater, they will be serenaded by the Heyna Second Son Singers (various tribes).

Pageantry is an important component of the event, and all participants are elaborately dressed. There is a wealth of cultural information encoded in the movements of each dance. More than ten distinct tribes will be represented in the performance. The dozen-or-so dancers are people of all ages, raging from thirteen-year-old Isabel Cespedes (Mayan) to retirees.

Native American crafts and jewelry will be sold in the TNC lobby.

Matinées are kids’ days, when children aged five to twelve accompanied by a ticket-bearing adult are admitted for $1.00 (adults $18). At the conclusion of these matinées, young audience members are invited to pose for pictures with the dancers.

 

ABOUT THUNDERBIRD AMERICAN INDIAN DANCERS

The Thunderbird American Indian Dancers are the oldest resident Native American dance company in New York. The troupe was founded in 1963 by a group of ten Native American men and women, all New Yorkers, who were descended from Mohawk, Hopi, Winnebago and San Blas tribes. Prominent among the founders were Louis Mofsie (Hopi/Winnebago) and his sister, Josephine Mofsie (deceased), Rosemary Richmond (Mohawk, deceased), Muriel Miguel (Cuna/Rapahannock) and Jack Preston (Seneca, deceased). Some were in school at the time; all were “first generation,” meaning that their parents had been born on reservations. They founded the troupe to keep alive the traditions, songs and dances they had learned from their parents, and added to their repertoire from other Native Americans living in New York and some who were passing through. Jack Preston taught the company its Iroquois dances, including the Robin Dance and Fish Dance. To these were added dances from the plains, including the Hopi Buffalo Dance, and newer dances including the Grass Dance and Jingle Dress Dance. The company was all-volunteer, a tradition that exists to today. Members range in professions from teachers to hospital patient advocates, tree surgeons and computer engineers. Now Louis Mofsie says, “To be going for 60 years is just amazing to me, and to be able to do the work we do.”

The troupe made a home in the old McBurney YMCA on 23rd Street and Seventh Ave. Within three or four years, they were traveling throughout the continental U.S., expanding and sharing their repertoire and gleaning new dances on the reservations. A number of Thunderbird members are winners of Fancy Dance contests held on reservations, where the standard of competition is unmistakably high.

The Thunderbird-TNC collaboration began in 1975, when Crystal Field directed a play called “The Only Good Indian.” For research, Ms. Field lived on a Hopi reservation for three weeks. In preparation for the project, she met Louis Mofsie, Artistic Director of the dance troupe and a representative of the American Indian Community House. Mofsie suggested a Pow Wow and dance concert to celebrate the winter solstice. Field, who is herself 1% native American, committed herself to bring this to fruition. The event has continued annually to this day.

The troupe’s appearances benefit college scholarship funds for Native American students. The Thunderbird American Indian Dancers Scholarship Fund receives its sole support from events like this concert (it receives no government or corporate contributions), and has bestowed over 350 scholarships to-date. Theater for the New City has been presenting Pow-Wows annually as a two-week event since 1976, with the box office donated to these scholarships.

# # #

CRITICS ARE INVITED to all performances. Press contact Jonathan Slaff (212) 924-0496.

VIDEOS ARE AVAILABLE upon request.

2023 PRODUCTION PHOTOS: https://photos.app.goo.gl/BQefisDJzPgvr7Db9
2019 PRODUCTION PHOTOS: https://photos.app.goo.gl/ebLLGRPPQVHjJsxt8
RECENT YEARS’ PHOTOS: https://goo.gl/photos/tcrxbtPYtF2hdvhV6 and https://goo.gl/photos/SLr4PXEHJrsq34j9A
HISTORICAL PHOTOS of Pow-Wows from 2004 to 2015 are available for download at: https://goo.gl/photos/wUcenp6ZcPDcBCYD7

The Shine Challenge, 2025

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

The Shine Challenge, 2025

A new play by Ishmael Reed
Directed by Rome Neal

January 30, 2025 – February 16, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time:
COMMUNITY SPACE THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Playwright Ishmael Reed explains why he wrote The Shine Challenge 2025: “Like members of most ethnic groups, the purpose of our schooling was to have us fit into the Anglo mainstream. At home and on the playground, other story-telling traditions were available, handed down through the generations as part of an oral tradition. The Bible might be the only book in the house. But there was a story-telling tradition that we kept from our parents because of the bad words. They were “toasts” and “the dozens,” which had endless variations.

“In my great uncle’s house, the only painting on the wall was that of the Titanic. The sinking of the Titanic challenged the boasts of white supremacy. From the collective imagination of the Black streets came the “toast” of “Shine,” who warns the first-class passengers that the ship, thought to be invincible, was taking water. One might consider Shine to be the grassroots nominee for a member of the Black prophetic tradition.”

Ishmael Reed has lengthened the 40 or so lines of the typical Shine rap into a 100-page script in which he expands on the issues addressed in the original toast: race, class, immigration, engineering, and Edwardian morality by putting Shine on trial in which he is both the accused and his own defense attorney.

One of the reasons Reed wrote the play was he found that members of three generations of Blacks had never heard the story of Shine. He calls the play The Shine Challenge, 2025 because he expects that a future playwright will expand upon what he has accomplished. During a time when there is a crackdown on Black culture under the banner of Woke, whose definition has been twisted by our enemies, every possible effort must be made to maintain Black, Brown, Native American and Asian American traditions. Our writers can be like the monks who protected the sacred texts from barbarians.

CAST
Monisha Shiva (Announcer)
Audrey Shon (Bailiff)
Malika Iman (Court Clerk)
Roz Fox (Judge Georgia St. Clair)
Carman Noelia (Prosecutor Francis Nunez)
Brian Simmons (S. Shine, acting as his own defense attorney)
Jesse Bueno (Captain Edward Smith, Captain of the Titanic)
Jordan Barringer (Helen Smith, the captain’s daughter)
Emil Guillermo (J. Bruce Ismay, owner of the Titanic)
Robert Turner (Jake “The Cat” Watson, prosecution witness)
Maurice Carlton (Jack the Shark, defense witness)
Rome Neal (Polar Bear Sam, defense witness)
Joy Reneé LeBlanc (Iceberg Sally)
Sekou Carradine (male understudy)

PRODUCTION
Director – Rome Neal
Writer – Ishmael Reed
Set Design – Chris Cumberbatch
Lighting & Sound Design – Alexander Bartenieff
Costume Design & Costume Mistress – Diana Chaiken
Stage Manager & Props Manager– Emily Yarmey
Production Coordinator – Carla Blank

 

What 2 critics wrote about The Shine Challenge 2024’s virtual reading”:

“[Ishmael] Reed has brilliantly molded the legendary African American folklore comedic poem of “Shine on the Titanic” into a plausible debate, questioning what really happened on the Titanic….’The Shine Challenge 2024’ is a crazy, rousing, slapstick tour…with more laughs than “Blazing Saddles” and more facts than Google, floating in the ocean of race, class, inequality, immigration, and what really happened on that ship. Look closely past all that insane humor and pay attention. Reed has pulled the covers off Shine. The truth is the light. Shine on.”

Ron Scott, New York Amsterdam News, April 4, 2024

In a Brilliant Burlesque on History, … America’s most inventive storyteller Ishmael Reed, the ever-insightful satirist has given us yet another masterwork that tickles our funny bone, stimulates our intellect, titillates our emotions, and challenges our imagination.  All the while giving us a solid history lesson in his inimitable style….A rare and brilliant achievement.

Playthell Benjamin, The New York Beacon, March 7-March 13, 2024