Katy and Jennifer vs. The Flasher on New Year’s

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Katy and Jennifer vs. The Flasher on New Year’s

March 16 – April 2, 2023
Thursday, Friday, Saturday at 8:00PM, Sunday at 3:00 PM
Running Time: 75 minutes
Tickets $20

Sundays – Pay What You Can
Online sales have various prices to choose from

Theater for the New City
155 First Avenue (between 9th & 10th Street)
CINO THEATER

The play is set on the first New Years Eve after 9/11, when Generation X had their whole lives ahead of them but every moment was colored by the shock of the attacks. At this unique time, Katy and Jennifer are savoring their breakthrough into young adulthood and independence. They had both intended to ring in the new year with their boyfriends, celebrating with erotic raptures. But earlier in the evening, Jennifer’s boyfriend had turned her off by immature and inappropriate behavior. So as the ball was dropping, he’d gotten the boot. Katy’s casual partner, Bobby, has accidentally anesthetized himself with a generous helping of the meds he takes to stave off his PTSD from the attacks. He is zonked out in her bedroom. Slamming the front door to shut out the flasher, Katy and Jennifer look to this now-somnolent example of manliness for protection, with hilarious consequences.

REVIEW New York Theatre Wire

William Burns as Bobby, Bree Ogaldez as Jennifer. Photo by Jonathan Slaff.
Emily Lappi as Katy, William Burns as Bobby. Photo by Jonathan Slaff.
Emily Lappi as Katy, William Burns as Bobby, Bree Ogaldez as Jennifer. Photo by Jonathan Slaff.
Bree Ogaldez (Jennifer) and Emily Lappi (Katy). Photo by Jonathan Slaff.

CAST
Emily Lappi – Katy
Bree Ogaldez – Jennifer
William John Burns – Bobby, Katy’s boyfriend

PRODUCTION
Writer – Matt Morillo
Director – Phoebe Leonard-Dettmann
Set Design – Mark Marcante
Social Media Coordinator – Jenna Leigh Miller
Press Representative – Jonathan Slaff
Graphic Designer – Kiff Scholl, AFK Design

Playwright Matt Morillo, originally a film maker, made an auspicious theatrical debut in 2006 with “Angry Young Women In Low Rise Jeans With High Class Issues.” The comedy was presented by TNC in 2007 and had an Off-Broadway run in NYC, multiple engagements in Hollywood and Sydney (Australia) and TNC return engagements in 2009, 2010 and 2011, but never seemed to exhaust its audience. It was followed by a thoughtful comedy, “All Aboard the Marriage Hearse” (TNC, 2008), and Morillo’s first serious play, “American Soldiers” (TNC, January 2010), a family drama about a woman war veteran’s return to her home in Long Island. In 2011, Morillo returned to TNC in comic form with “The Inventor, The Escort, The Photographer, Her Boyfriend and His Girlfriend,” a sex comedy of five people barricaded in one apartment building with a fierce snowstorm outside, looking for love in all the wrong places. It subsequently went on to an acclaimed Los Angeles run and won the Teapot Award for Outstanding Theater Performance at the 2013 Edinburgh Fringe Festival. His serio-comedy “Allen Wilder 2.0 ” (TNC, 2016) was a comedy of bungled romance in Levittown, LI between two mid-lifers: one who ran away and one who stayed. His last three projects have all debuted on the West Coast: “All American Sex Addict Woke/AF” (2018), “If We Run” (2019) and a comedy web series, “Mister Harmac,” which is currently airing on YouTube. He has also taken up standup comedy; his appearance schedule is on Instagram at @mattmorillo.

Morillo’s “Angry Young Women in Low Rise Jeans with High Class Issues,” “All Aboard the Marriage Hearse” and “American Soldiers” have all been published by Samuel French Inc.

Prior to his theatrical shift, Morillo was a fixture on the New York independent film scene for ten years. He debuted at age 23 with his romantic comedy, “The Pretenders,” a film with a cast of unknowns and a non-existent budget that became an enjoyable, funny and ultimately touching film about twenty-somethings struggling with life’s ups and downs. His next project, “Good Tidings,” was a fifteen-minute short film about a young girl suffering through her parents’ divorce. It received great praise at film festivals for its realism and honesty. Morillo’s third film, “Maid Of Honor,” was a true breakthrough. A twenty-five minute comedy about a simple guy trying to hook up with the maid of honor at a wedding, it was a hit on the festival circuit, winning three awards, playing to sold-out theaters and leaving audiences laughing and begging for copies of the film. He returned to on-camera productions with an “Angry Young Women in Low Rise Jeans with High Class Issues” web series in 2013.

Director Phoebe Leonard Dettmann is an actor, writer, director and founding member of Randomly Specific Theatre (randomlyspecifictheatre.com). She was born and trained in Australia and became an American citizen four years ago. Dettman first met Matt Morillo in 2007 when she appeared in the Australian Premiere of “Angry Young Women in Low Rise Jeans With High Class Issues.” She writes that Morillo entrusted his latest play to her “after fifteen years of fast friendship and countless all you can eat sushi and saki nights” through which he became cognizant of her wit and great good humor. Her Australian theater credits include: “Stairwell” (Actor/Writer) at Old Fitzroy in Sydney. Her New York credits include “Secondary Pitch,” “Learning To Skip,” “Accumulated Heartbreak Disorder” (Actor/Writer), “Koalas Are Dicks,” “Arbuckle Syndrome” and “Fistful of Cake Pocketful of Miracles” (Director) for Randomly Specific Theatre and “Othello: The Panther” and “Salome: Princess of N’Orleans” at Rebel Theatre.

Bree Ogaldez (Jennifer) is an Afro-Caribbean, NYC-based actress and singer who recently appeared as Abe Lincoln in “Hair” (Cortland Repertory Theatre) and Assata/Lotus in “Lotus and the Unlikely Crew” at NYTF Winterfest. Recent screen credits include indie film “Someone Somewhere” and the pilot spec “Shadow Cast.” (www.breeogaldez.com)

Emily Lappi (Katy) is making her NYC debut. She graduated from South Coast Repertory’s Acting Intensive Program in 2014 and recently made her Equity principal debut as Shelby in “Steel Magnolias.” California credits include “A Christmas Carol” at South Coast Repertory, “Heaven on Earth “at La Jolla Playhouse and “Moon Over Buffalo” (Rosalind) at STAGEStheatre (OC Weekly Best Ensemble of 2017). Films include the indie horror film “One Night in Ravenwood,” the web series “Angry Young Women in Low Rise Jeans with High Class Issues” and the indie pilot “Cut Loose.” (www.emilylappi.com)

William Burns (Bobby) recently appeared in “We Will Rock You” with Theater Workshop of Nantucket and “Staten Island! The Musical” at The Tank Theater with ThisIZZit Productions. He is an ensemble member of Open Hydrant Theater Company @ The Point, located in the Bronx.

Morillo writes, “TNC has afforded me the opportunity that is the dream of every artist. To be able to hone my abilities in an environment where they support, promote, nurture and inspire you to push, grow, and stretch all of your abilities to levels that perhaps even you yourself do not think are possible. I can’t explain how happy I am to be back here…at home!”

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

Love n’ Courage 2023

THEATER FOR THE NEW CITY
EXECUTIVE DIRECTOR, CRYSTAL FIELD
PRESENTS

LOVE N’ COURAGE

Theater for the New City’s Annual Benefit for its Emerging Playwrights Program

 

Monday, February 13, 2023
at The Players Club • 16 Gramercy Park South

Honoring New York City Council Member Carlina Rivera
and
Playwright, Director and Teacher Eduardo Machado

Cocktails at 6:00pm
Seated Dinner 6:45pm
Performances 8:00pm

Tickets $200
Table of Ten $1,750

 

The Time Travelers Club, Manhattan Division

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

The Time Travelers Club Manhattan Division

A play by Barbara Kahn

February 23 – March 12, 2023
Thursday, Friday, Saturday @ 8:00PM, Sunday @ 3:00 PM
Running Time: 1 hour, 55 minutes including intermission
Tickets $15, Seniors/Students $12
Groups 10 or more use discount code TIME26 online for $10 each

Theater for the New City
155 First Avenue (between 9th & 10th Street)
CINO THEATER

Time perception changed for many during two years of isolation as online communication replaced attendance at the theater. I was inspired by the (temporary) change in my lifestyle to research and write The Time Travelers Club, Manhattan Division, my 26th production at Theater for the New City.
Time travel has long been a subject in popular culture. My play sends a woman named Dolly from the present on a journey to 1870 Greenwich Village. An equipment malfunction leaves her stranded in the past, where she encounters real-life characters while attempting to find her way home. Poet Emma Lazarus was at the beginning of her prestigious career. Composer Georgina Schuyler was a descendant of Alexander Hamilton and early Dutch settlers. The nature of the close friendship of these unmarried women from disparate backgrounds leaves room for speculation. Famous actress Charlotte Cushman and her “wife” sculptor Emma Stebbins stopped in New York en route to Boston where Charlotte sought treatment for breast cancer. Sarah Smith was a widowed African American school teacher who boarded in a building on 13th Street—a building that survives but is threatened with demolition in today’s rush to gentrify our historic neighborhoods. When Dolly fails to return home, her wife Alice attempts to rescue her and bring them both ‘back to the future.’
The play is my gentle homage to my favorite movie—“The Wizard of Oz.”

Photo by Joe Bly
Photo by Joe Bly
Photo by Joe Bly
Photo by Joe Bly

CAST
The Present
Alice, Arianne Banda.
Dahlia, called Dolly. Alice’s wife. Jamie Coffey
John. A clerk. JC Augustin
A reporter. Selear Duke.

The Past (1870)
Emma Lazarus, Nikki Monson
Georgina Schuyler, Jenna Levere
Sarah Smith, Rebekah Wilson
Charlotte Cushman, Steph Van Vlack
Emma Stebbins, Charlotte Cushman’s ‘wife.’ Isa Goldberg

PRODUCTION TEAM
Barbara Kahn (Playwright/Director)
Mark Marcante (Set Designer)
Alexander Bartenieff (Lighting Designer)
Lytza Colon (Set Decorator and Prop Designer)
Billy Little (Costume Designer)
Joy Linscheid (Sound Designer and Board Operator)
Selear Duke (Stage Manager)
Joe Bly (Photographer and Videographer)
Virginia Asman (Graphics Designer)

 

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

NOT ABOUT ME

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents
With the support of Suite 524

NOT ABOUT ME

Written and Directed by Eduardo Machado

January 13 – February 5, 2023
Wednesday, Thursday, Friday, Saturday at 8:00 PM,  Sunday at 3:00 PM
Running Time: 1 hour 50 minutes with intermission
Tickets $18, Seniors/Students $10 – Box Office (212) 254-1109

Theater for the New City
155 First Avenue (between 9th & 10th Street)
COMMUNITY SPACE

Not About Me is a memory play that takes audiences on a haunting journey through the mind of a playwright during Covid-19 lockdown. Long buried memories of friends lost to a mysterious “gay” disease come crashing into the present, and he is compelled to examine his artistic and political life in the theater. This play is a bittersweet meditation on how tragedy can unearth pain along with the treasures buried in the past.

The cast features
Mateo d’Amato
Michael Domitrovich
Crystal Field
Ellis Charles Hoffmeister
Charles Manning
Drew Valins
Heather Velazquez

Creative Team
Mark Marcante (Scenic Design)
Sean Ryan (Production Design)
Alex Bartenieff (Lighting Design)
Kelsey Charter (Costume Design)
Bird Rogers (Projection Design?)
Emily Irvine (Puppet Designer/Maker)
David Margolin Lawson (Sound Design)
Original music by Michael Domitrovich

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

Who Murdered Love? (2023)

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Who Murdered Love?

Book by Lissa Moira and Richard West
Music by Richard West
Lyrics by Lissa Moira
Directed by Lissa Moira

February 2 – 19, 2023
Thursday, Friday, Saturday at 8:00 PM,  Sunday at 3:00 PM
Running Time: 2 hours 10 minutes including intermission
Tickets $18, Seniors/Students $12 – Box Office (212) 254-1109

Theater for the New City
155 First Avenue (between 9th & 10th Street)
CINO THEATER

“Who Murdered Love?” by Lissa Moira and Richard West is a Dadaist musical comedy set in 1924 New York City and in a Paris dreamscape. Its story follows WWI veteran and private eye “Sleepy” Sam Speed, his girl, Gail Friday and his junior detective, Everett Greene, as they attempt to unravel the disappearance and possible murder of DaDa Love at the behest of their client, a stunning heiress named Honey Potts. DaDa Love–enigmatic, handsome and charismatic–is at the center of the world for Dadaists in a time when Surrealists are vying with them for artistic supremacy. The sleuthing trio’s quest for him leads them through a mad psychedelic adventure that is populated by takeoffs on artists of the post-WWI period who were also known for their artistic and sexual jealousies.

The authors, Lissa Moira and Richard West, wrote the tuner to illustrate the theme of cultural wars among artists: artistic jealousies and artistic totalitarianism. West says, “Every generation has these problems–midlevel artists try to dominate the scene and seek power to dominate other people.” Their concept landed nicely on the Dada movement of the twenties, in which everybody preferred the satirical to the serious and relationships between artists devolved into rivalries of dogma between Dadaism, Surrealism and Eclecticism, like when André Breton excommunicated Tristan Tzara and expelled Salvador Dalí from the Surrealist group on supposedly idealistic grounds. “Every generation has these problems,” says Richard West.

Our Cast in Alphabetical Order
Louisa Bradshaw* as The Countess Analise
William Broderick* as Andre Ranton
Sage Buchalter Ensemble and Dance Captain
Jef Canter* as Darcel Ducamp
Alisa Ermolaev as Honey Potts
Ejyp Johnson as DaDa Love
Rori Nogee*as Gail Friday
Amy Catherine Welch* as Blossom
John David West as Sleepy Sam Speed
Chase Wolfe as Everett Greene

*Appearing courtesy of Actor’s Equity Association

Our Production Team
Musical Director – Peter Dizozza
Choreographer – Olivia Palacios
Assistant Choreographer – Sage Buchalter
Set Design – Mark Marcante
Set Decoration and Special Props – Lytza Colón
Lighting Design Alexander Bartenieff
Costumes – Lytza Colón
Stage Manager – Lafayette Elizabeth Orsack
Board Operator – Franklyn Rodriguez

The property began at Theater for the New City in 2002 as a straight play and evolved into a musical in two subsequent productions: at TNC in 2010 and the NY Fringe in 2012. It is now in a new, finished form.

Lissa Moira (director, book & lyrics) is a playwright, screenwriter, director, artist and poet. She is two-time Jerome Foundation grantee and an OOBR Award-winning actress. She co-authored, with Richard West, the long-running OOB hits “Sexual Psychobabble” and “The Best Sex of the XX Century Sale.” At Theater for the New City, she headed The Chrysalis, a play development project. Her “Time It Is” made the final ten of the Chesterfield/Paramount Screen Writing Competition (from 5000 submissions worldwide). With Robert Santoli, Moira co-authored the feature film “Dead Canaries,” which was directed by Santoli and featured Charles Durning, Dan Luria, Dee Wallace and Joel Higgins. She directed and was dramaturg of “Siren’s Heart, Norma Jean and Marilyn in Purgatory” by Walt Stepp, which enjoyed a seven-week run at TNC in 2011 and then played 14 months Off-Broadway at the Actors Temple starring Louisa Bradshaw. The following year, she directed “Skybox,” also by Walt Stepp, at TNC. Richmond Shepard (lively-arts.com) described Moira’s “The Seduction of Time” (TNC, 2014) as “a fascinating mixture of text, music, song and dance exploring a personification of the mythic relationship between nature and time as they mate.” Her play “Before God Was Invented” (TNC, 2011, 2014) was nominated for a Susan Brownell-Smith Award. Andréw Martin, (Nite Life Exchange) wrote, “’Before God Was Invented’ is for those craving a glorious glimpse into what the very best evening can be in the greatest tradition of the theatre art form. Please run, don’t walk to catch it.” Her direction of “Cocaine Dreams” at the Kraine was described by the NY Post (Chip Deffaa) as “inspired.” Moira writes, “I would like to thank Crystal Field for her continuing faith in me, both as a writer and director, and for allowing me to have the opportunity both to direct and to present my own new works. The theater has been an indispensable launching pad for me.”

Richard West (composer) is a writer, musician and actor. Among his plays are “Warhol in Hell,” “Bohemia on Wry,” “Sex and the Single Samurai” and “Enlightenment on the Installment Plan.” With Lisa Moira, he has written “Sexual Psychobabble,” “Who Murdered Love? “and “The Best Sex of the XX Century Sale.” His one man shows include “Coastal Complexes, ” “The Hip Revival Hour,” “Daffodils for Duchamp,” “Cafe Vanity,” “Coming of Age Amongst the Urban Savages,” “Coming of Age in a Stoned Decade,” “The Blue Monkey,” “The Floating Duck Variety Show,” “Going Out of Democracy Sale,” “The Grand Theft Inaugural Ball,” “Variety Show” and “You Sure Got a Lot of Nirvana.” He had a radio career on the West Coast (KPFA), a Manhattan Cable TV show (“That’s More Like It”), and has performed his satirical and serious songs and East-West exotic fusion music at venues ranging from The Limelight, Theater Row Mudd Club, The Knitting Factory and The Village Gate. He collaborated on a song cycle with Lissa Moira, “The Son of a Bush from Texas & Other Related Songs.” He is a Jerome Foundation grantee.

Alisa Ermolaev as Honey Potts. Photo by Lissa Moira.
Front row: Louisa Bradshaw, Ejyp Johnson, John David West. Behind: William Broderick, Amy Catherine Welch, Rori Nogee, Jef Canter. Photo by Gerry Goodstein.

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

Stories From My Mother

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Stories From My Mother

A play for puppets and actors by Peter Bulow

December 22, 2022 – January 8, 2023
Thursday, Friday, Saturday at 8:00 PM,  Sunday at 3:00 PM
Running Time: 1 hour 15 minutes
Tickets $18, Seniors/Students $15 – Box Office (212) 254-1109
No shows December 24, 25, 31 and January 1

Theater for the New City
155 First Avenue (between 9th & 10th Street)
CINO THEATER

“Stories from My Mother” a play for over-life sized puppets, actors and marionettes, tells the story of my family’s survival during the Holocaust and the war in Europe, and how this has affected the next generation. Though the main character, Peta, begins the narrative with the cryptic statement:
“Some of this story is true, and some of it is a lie”, in fact almost all of it is true- the dialogue is taken from family conversations heard during childhood. The puppets are recreations of family members- both the German ones and the Hungarian Jews, and attempt to channel their remarkable and vibrant personalities.
The set is at times the house in Queens where some of the stories were heard, at other times the snow covered section of the Budapest ghetto in 1944. Shadow play, revolving dioramas, and dramatic puppets bring what was past and what was imagined to life.”

CAST
Alec Pacheco
Lola Granelli
Peter Bulow
Pamela Salela
Ellen Veres – Parachutist

Made possible with funding from the International Raul Wallenberg Foundation

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

Whiskey River

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Whiskey River

 

Written and Directed by JC Augustin
Produced by Tortas y Tacones

November 17 – 27, 2022
Thursday, Friday, Saturday at 8:00 PM,  Sunday at 3:00 PM
Running Time: 50 minutes
Tickets $15 – Box Office (212) 254-1109
No show on Thanksgiving

Theater for the New City
155 First Avenue (between 9th & 10th Street)
CABARET THEATER

When Jonathan realizes his friend Jose’s run out, he engages trusty Jameson to escape the city noise and take a trip down river. On the journey they confront desire and delusion. Suddenly a head-hunter arrives to collect a debt long past due. Whiskey River is a dark comedy that explores the spirit’s end.

Featuring
Jay W. Walker
Miss Marie
T. Scott Lilly

 

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

TIMES SQUARE ANGEL (2022)

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Is Pleased to present

The 23rd Annual Holiday Performance of

TIMES SQUARE ANGEL


A Message from Charles Busch & Carl Andress:
Due to concerns over an outbreak of coronavirus (COVID-19) within our company, and in consideration of the health and safety of everyone involved, we have made the extremely difficult decision to cancel this year’s presentation of Times Square Angel  on Monday, December 12, 2022. We sincerely apologize to our devoted audience for any inconvenience and disappointment this may cause and kindly ask for your understanding. We wish you all Happy Holidays and hope to see you next year for TSA 2023 at TNC.

Written by and Starring Charles Busch 
(Based on an Idea by Andy Halliday & Charles Busch)
Directed by: Carl Andress
Featuring: Carl Andress, Nancy Balbirer, Christopher Borg, Peter Borzotta, Lawrence Bullock, Charles Busch, Andy Halliday, Julie Halston, Howard McGillin, Nora Brigid Monahan, Ashley Austin Morris, Sidney Myer, and Jackie Sanders
The TSA Angel Band is led by Christopher McGovern and features, Bill Hayes, Lisa Kline, and Jackie Sanders
One Performance Only!
Monday, December 12, 2022 at 8pm in the Johnson Theater at TNC
(Tickets Go On Sale on Monday, November 14, 2022 at 10am EST)
Running Time: 90 Minutes
Producer:  Greg Santos
Stage Manager:  Dan Karlin
Wardrobe: Rachel Townsend
Wigs:  Katherine Carr
Scenery: Mark Marcante, Lytza Colon
Lighting: Alex Bartenieff
COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.

BREAD + PUPPET: Ophelia & The Apocalypse Defiance Circus (2022)

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

BREAD + PUPPET

Ophelia & The Apocalypse Defiance Circus

December 8 – 18, 2022
Tickets $18, Students, Seniors, Children $12

Theater for the New City
155 First Avenue (between 9th & 10th Street)
JOHNSON THEATER

Bread and Puppet requires the audience to wear masks for all performances.

Ophelia & The Anti Apocalypse Rally Shows: December 8 – 11
Run Time: 90 minutes
Thursday, Friday, Saturday at 8:00 PM,  Saturday at 1:00 PM & Sunday at 3:00 PM

The Apocalypse Defiance Circus: December 14 – 18
Run Time: 60 minutes
Wednesday, Thursday, Friday, Saturday at 8:00 PM,  Saturday & Sunday at 3:00 PM

 

In Ophelia, the mysterious Ophelia is not an attachment to Hamlet, but the center around which all other elements spin,
death, ghost, king, and population, all of them puppets, cardboard giants or dwarves. Only Ophelia is real, played by director Peter Schumann’s grandson and frequent B&P collaborator, 13-year-old Ira Karp. Following “Ophelia,” there will be a performance of “The Anti Apocalypse Rally Show”, a collaboration between Idith Korman’s Ensemble-Pi and Peter Schumann developed this fall in Vermont. Korman and Ensemble-Pi have collaborated on multiple projects with Bread and Puppet Theater over the last 5 years including “The Honey Let’s Go Home Opera” which performed at the World Puppet Theater Festival in Charleville-Mézières, France and at Theater for the New City in 2018 and 2019.

The following week Bread & Puppet will present The Apocalypse Defiance Circus, a rollicking spectacle of protest and celebration. The 60-minute show addresses the heart of the current moment with a bright barrage of acts spanning many moods, from slapstick to the sublime, all powered by a riotous brass band. Help is provided by stilt-dancers, blue horses, paper maché clouds and tigers. Building on the tradition of the Circus as spectacle for the people, performed in the round, and somehow encompassing the ecstasy, sadness and absurdity of the world as a whole, Bread & Puppet’s circuses have become an iconic form in their own right, 51 years running!
After each show, Bread & Puppet will serve its famous sourdough rye bread with aioli, and Bread & Puppet’s “Cheap Art” – books, posters, postcards, pamphlets and banners from the Bread & Puppet Press – will be for sale.

BREAD AND PUPPET THEATER
The Bread & Puppet Theater is an internationally celebrated company that champions a visually rich, street-theater brand of performance art filled with music, dance and slapstick. Believing that theater is a basic necessity like bread, the company frequently brings its work to the streets for those who may not otherwise go to the theater. Its shows are political and spectacular, with puppets often on stilts, wearing huge masks with expressive faces, singing, dancing and playing music.
Bread & Puppet is recognized throughout the world and has won distinction at festivals in Italy, Poland, Colombia, and Yugoslavia, beginning with their break-out performances at the 1968 Nancy Festival in France. Notable awards include the Erasmus Prize of Amsterdam, 4 Obies, the Puppeteers of America’s President Award, and the Vermont Governor’s Award. Bread and Puppet regularly tours Europe, Canada, and the United States and has recently visited El Salvador, Haiti, Russia, and Korea.
Founded in 1963 by Peter Schumann on New York City’s Lower East Side, the theater has been based in the North East Kingdom of Vermont since the early 1970s and is one of the oldest, nonprofit, self-supporting theater companies in the country.

Image and text crediting:
● Ophelia poster photo by Mark Dannenhauer
● The Apocalypse Defiance Circus poster image by Peter Schumann and Bread and Puppet Press
● Out-of-Joint Hamlet photo by Greg Cook, June 2018.
● The Apocalypse Defiance Circus photo by Raphael Royer, August 2022.
● Archival photo by Ron Simon.
● About Bread and Puppet section based on the Biography of Bread and Puppet that accompanies the Bread and Puppet
Archives at the University of Vermont, Burlington. Full text here: http://cdi.uvm.edu/findingaids/collection/bredpupt.ead.xml
● Learn more about Bread and Puppet Theater at breadandpuppet.org

 

COVID Protocol:
As of September 26th, 2022, we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Bread and Puppet requires the audience to wear masks for all performances.

VILLAGE HALLOWEEN COSTUME BALL 2022

 

@theater_for_the_new_city Theater for the New City is hosting the spooky, spectacular Halloween Ball and Costume Contest this Halloween, October 31st🎃 There will be shows the whole day going until midnight, but for now, enjoy this dance while you wait😈#theaterforthenewcity #TNC #theater #nyc #Halloween #costume ♬ original sound – Theater_For_The_New_City

THEATER FOR THE NEW CITY’S VILLAGE HALLOWEEN COSTUME BALL WILL BE HYBRID (INSIDE/OUTSIDE) THIS YEAR.

NEW YORK, October 1 — Theater for the New City (TNC) will emphasize Covid safety in this year’s Village Halloween Costume Ball, presenting a hybrid (indoor/outdoor) celebration on October 31 to delight its community, young and old, and to celebrate the creativity that comes with the season.  A large outdoor frolic will be held from 3:00 PM to 8:00 PM on East Tenth Street between First and Second Avenues (or if it rains, in a big tent), featuring performances, a costume competition and dancing to swing and Latin bands. This will be followed by indoor performances from 8:00 PM to midnight in TNC’s large Johnson Theater. Admission will be free throughout the festival but donations will be gratefully accepted.

TNC has presented a Village Halloween Costume Ball annually since 1976. Traditionally, the celebration takes up every available inch (both floors) of TNC’s multi-theater complex at 155 First Avenue (the former First Avenue Retail Market building) and adjoining outdoor spaces. In 2020, due to the Covid shutdown, TNC’s Halloween tradition was maintained by presenting the entire event virtually. Last year, it was mounted entirely outdoors.  This year, TNC aims to capture the event’s intensity and traditional magic by bringing some of it back inside while maximizing Covid safety for both performers and attendees.  TNC has installed Verve Filters in its HVAC system to maintain good air quality in the theater.

You’ve heard of The Twist, The Mashed Potato, The Loco-Motion, The Fly?  As part of the afternoon’s musical events, TNC artists, in collaboration with costumed revelers from the neighborhood, will create a new dance for Halloween called “The Spotted Lantern Squish.”

L-R: Asher Cohen, Terry Lee King and Danielle Aziza demonstrate new dance, “The Spotted Lantern Squish.” Photo by Jonathan Slaff

SCHEDULE OF EVENTS
(as of September 27)

OUTDOOR EVENTS

3:30 – 4:30 PM
Cobu Kids, Yip Harburg Rainbow Troupe, Glitter Kitty, Matt Angel & Rob Varkony, Whimsical Hips Belly Dance led by Carol Tandava, John Grimaldi (juggling with fire), Elizabeth Ruf.

4:30-5:45 PM
Dancing in the street with Art Lillard’s Heavenly Big Band, a 17 piece swing orchestra performing an extensive repertoire of songs from swing to samba to jazz ballad to bossa nova with a swinging singing soloist.

5:45-6:30 PM
Costume judging and prizes with the “Monsters and Miracles Costume Parade.” All costumed attendees are invited to march past a panel of celebrity judgesAdult winners will receive one-year passes to TNC and a bottle of Prosecco; children get candy. Attendees will be judged in such categories as “Most Booster-Shot,”  “Most Testosteroned,” and “Most Inflationed.”  Emceed by T. Scott Lilly.

6:30-7:45 PM
Dancing resumes with Mr. Pablo’s Latin Dance Band, a five-piece fusion band mixing Salsa, Samba and Flamenco with Rock, Reggae and Funk.

7:45 – 8:00 PM
“The Red and Black Masque,” an annual Medieval ritual show written by Arthur Sainer, scored by David Tice and directed by Crystal Field which is performed by torchlight.  The audience will be invited to participate.

INDOORS – JOHNSON THEATER

8:00 PM TO MIDNIGHT
A succession of free, live, 10-minute performances staged in TNC’s Johnson Theater.  The growing list of performers includes F. Murray Abraham, Phoebe Legere, Penny Arcade, Cobu (all-female Japanese Taiko drumming and dance troupe), Peter Dizozza, Vinie Burrows (performing “The Tell Tale Heart”), The Witcherly Sisters, Zero Boy, Bina Sharif, Flamenco singer/dancer Inma Heredia, Danielle Aziza (performance artist), TNC Street Theater Company in an excerpt from “Teacher! Teacher! I Love You!,” Carol Tandava (Belly Dance), Peter Dizozza, Star 69, Wise Guise, Elisa Blynn, Ellen Steier, William Electric Black, Lei Zhou, Lissa Moira Scream Contest, Richard West.

BACKGROUND
Since its beginning in 1976, TNC’s Halloween extravaganza has been a point of origin for many of the City’s most original entertainers. Six full-length plays have grown out of playlets written for the fest and it is probable that the theatrical movement in Performance Art began there. It has been a launching pad for such formative artists as Paul Zaloom, Alice Farley, Bloolips, The Red Mole, Penny Arcade, Basil Twist and Alien Comic Tom Murrin.  Each year, many acts, skits, sketches, and skadoodles go on to become the basis of larger theater works. It is also interesting to note that TNC originated the Village Halloween Parade as part of its annual Halloween Ball. The procession wound its way through the Village from TNC’s second home at the corner of Jane and West Streets to Washington Square Park.

Theater for the New City (www.theaterforthenewcity.net) is located at 155 First Avenue, at the corner of East Tenth Street. Reservations are optional. The TNC box office number is (212) 254-1109.

 

COVID Protocol:
As of September 26th, 2022 , we are no longer requiring proof of COVID-19 vaccination for our audience upon entry.
Wearing of masks is suggested in the lobby, restrooms and performance spaces at Theater for the New City, but they are not required.