Staged Reading: Burden of Proof

Theater for the New City

Executive Director, Crystal Field

Presents

Staged Reading:

Burden of Proof

Sunday, March 9, 2025 at 3:00 PM
CABARET THEATER

Tickets: $12 General and $10 Students and Seniors

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

An African American public defender faces a crisis. She has been helping defendants plea bargain for years. Now she wants a win, but is this the right case? A realistic play inspired by attorney Tasha Lloyd’s experience, this is a play about justice, injustice and just doing the right thing.

CAST
Perry Gaffney
Patricia Magno
Chaz McCormack
James R. Ward

Alison Cook Beatty Dance: An Evening of Modern Dance

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Alison Cook Beatty Dance: An Evening of Modern Dance

April 4 – April 5, 2025
Friday & Saturday at 8:00 PM

Tickets: $20, Students & Seniors $18
Run Time: 1 hour 20 minutes including intermission
THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

PROGRAM A: Performance on April 4th at 8 PM
(25 min) WORLD PREMIERE
(3 min ) “Bist du bei Mir, Through The Panes”
Intermission
(20 min) “Heroic Departure”
Pause
20 “Central Park Field #4”
Q&A session, 10-15 minutes

PROGRAM B: Performance on April 5th at 8 PM
(30 min) WATER NYC Premiere & FIRE World Premiere
Intermission
(20 min) “Heroic Departure”
Pause
(3 min ) “Bist du bei Mir, Through The Panes”
(16 min) “Whale”
Q&A session, 10-15 minutes

*Please note there is a Silent Auction set up in the lobby before, during intermission and after the shows. Silent Auction will include artworks from collaborating artists such as resident visual art Carol Davis, award winning photographer Sam DeRosa-Farag and more.

CAST
Ava Trochiano
Gion Treichler
Hannah Dillenbeck
Ioanna Ioannides
Maddelaine Burnett
Plus additional guest artists

Staged Reading: Afterwards

Theater for the New City

Executive Director, Crystal Field

Presents

Staged Reading:

Afterwards

Tuesday, February 11, 2025 at 7:00 PM
JOHNSON THEATER

Pay what you can!
Suggested Donation $5 – $10

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

“Afterwards” is based on the true story of Françoise Dorléac, Catherine Deneuve’s older sister who burned to death in a car crash following an argument with her boyfriend who’d stormed away only to hear shortly after that she had died.
Her lover was the son of Sam Shaw, famous photographer and producer, who became mired in a lawsuit of biblical proportions with his only male child before he passed away.
Using information freely shared in real time and spiritually imparted Enz’s “Afterwards” explores the generations of suffering these people’s stories hold along with the sanctifying power of their mythic love.

The director Sarah T. Schwab and playwright Pamela Enz are eager to work on a truly unplugged piece where text and relationships are not overwhelmed by the often too spectacular technology presently available.

The plan for “Afterwards” as a full production is to use a simple actor propelled apparatus that Pamela’s brilliant long time collaborator Ève Laroche-Joubert designed to transport characters between decades and states of being.
An adult-maze-roundabout with various wall heights Ève’s design offers limitless varieties of human interactions that metaphorically suggest the complexity of relationships depending on how the actors move about and place their bodies in relation to one another. Additionally it supports the displacement of past and present and moments that exist outside of time.

Austin Pendleton starred in “City Girls & Desperadoes” Enz’s play he’d generously shepherded for years up until its Theater for the New City premiere Jan. 2018 after which Pamela became increasingly interested in revisiting City Girls’s characters wondering how they might have fared after its grand denouement.
Hearing Austin Pendleton sing as part of TNC’s Lower East Side Festival of the Arts 2024 which like his writing, directing and acting was a tour de force provided her the necessary connecting thread between the past and futures of these characters.
Elliott Randall, a blessed long time collaborator, is composing a song for Austin and an aural playground to support Afterwards themes of love and longing that transcend time.

Inspired by Edward Snowden’s BitCoin2024 address, itself a yowling howl of a reaction to an increasingly technological world we’ve little power to decide how much we might want to be subsumed by Afterwards ends with a plea for kindness.
Like the whole of Ms. Enz’s recent work particularly the film AIRTIME co-written with Alexandra Guerineaud the play posits the importance of a resurgence of empathy.

CAST
Austin Pendleton
Heather Litteer
Marlon Xavier
Elizabeth Yeoman
Annette Fox
Kim Savarino
Juanita Castro-Ochoa

Pamela Enz – A Hybrid Collaborative Theatrical Collagist my creative heart is best fed and firmly planted in the joyful act of storytelling whether through visual art, film, performance art or most profoundly, theater. Earliest cherished credit: Inclusion in The Guinness World Book’ of Records’ certified longest line of tap dancers on Broadway in NYC that besides copious colorful material provided me insight into the endless space that is the human heart.
A recipient of Edward Albee Fellowships, PEN grants, The Tennessee Williams One Act Play Award, Franklin Furnace Emerging Performance Award, the centerpiece of @aCall2Arms thenewtownproject, refining my art and finding my voice performing nascent pieces on the steps of Metropolitan Museum with Anna Deavere Smith I aim to create compelling narratives that explore the miracles we wish for and sacrifices we make in the name of love and survival.

Sarah T. Schwab is an award-winning screenwriter, director, and producer, as well as the president of Cardinal Flix, an independent film production company. Currently, she is in pre-production for two narrative features and one narrative short, all slated for filming in 2025. Sarah’s directorial work includes three feature films: “Crybaby Bridge” (2025) starring two-time Emmy nominated actress Sydney Mikayla (“General Hospital”), “A Stage of Twilight” (2024) starring Karen Allen (“Raiders of the Lost Ark”) and William Sadler (“The Shawshank Redemption”), and “Life After You” (2022) starring Florencia Lozano (“Narcos”). She is also a member of the playwright/directors unit at the Actors Studio in New York City.

The Best Brother

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

The Best Brother

The bonds of brotherhood are tested by devastating consequences of war, religious indoctrination and personal transformation.

February 6 – February 23, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $18
Run Time: 1 hour 45 minutes, no intermission
CINO THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

“The Best Brother” begins in the 1980’s. Two pre-teen African-American boys–models of brotherly closeness– are being raised in Harlem by an American mother and a righteous, religious African-born father who violently resists his wife’s ambition to become a professional singer. When these parents are forced by their cultural differences to divorce, their boys are separated. The elder son, Daniel, must go with his father to Angola, where the father dies fighting in the Civil War. The younger boy, Paolo, must remain here with his mother, who loses her operatic voice and descends into alcoholism. Twenty-two years later, the older son, now a religious man, finds the means to return to America and reconnect with his long-lost family. To his despair, he finds that his mother has died and his beloved brother is nowhere to be found. Although repatriated, Daniel does not understand the new America and finds himself in another war trying to restore closeness with his long-lost brother. The play asks, “Under what circumstances does brotherly love allow itself to thrive?” It was originally titled “Brother Sou – 1980.” The title “Brother Sou” means, “Brother I am.” The word “Sou” in Portuguese, a main language of Angola, means, “I am.”

The heart of the play lies in the emotional journey of these two brothers, who are separated by circumstances beyond their control but bound by an enduring, if complicated, attachment. Its narrative structure, with flashbacks between the 1980s and the present day, gives it a cinematic feel, weaving together different times and perspectives to explore how events and experiences shape family bonds over time. Its global scope (Harlem, Angola, and the larger African-American experience) adds depth and intrigue to the storytelling.

CAST
Christal Alexander
Yvette Quintero
Victor Vauban Júnior
Obi Nwako
Caleb Streety

PRODUCTION
Lighting design: Alexander Bartenieff
Set design: Victor Vauban Júnior
Set Design Consultant: Lytza Colon & Mark Marcante
Set Design Decoration: Lola Saenz
Costume Design: Everett Clark
Assistant Stage Manager: Lola Lukas
Lighting operator – Geoffrey Christopher

Victor Vauban Júnior (playwright/director), born in Brazil, has lived in the US for 20 years. He is a former circus performer who discovered a new passion in writing for the theater. His plays have appeared at the Writer’s Guild and in The Guild magazine, and readings of his plays have been presented in the Classical Theater of Harlem’s workshop. He has participated since 2012 in “Writers in Performance” at the Tribeca Performing Arts Center, under the tutelage of Mario Giacalone. His plays “Martin’s T.R.U.T.H” and “LEAVES” have been featured at the Strawberry Play Festival Competition in Manhattan, collecting several awards and nominations. He has been an instructor at Cirque du Soleil’s social program, Cirque du Monde, and he has toured with well-known international circus companies such as UniverSoul Circus, Gran Circus Norte-Americano, the Beto Carrero Show, Gran Bartholo Circus and Circus Amok.

“The Best Brother” is a production of Theater for the New City’s Emerging Playwrights Program. This program is integral to the theater’s mission, which includes being a center for new and innovative theater arts, discovering relevant new writing and nurturing new playwrights. Playwright Victor Vauban Júnior writes, “How excited I am to bring my new production to the Theater for the New City, the birth place of so many great artists and productions in NYC. I feel blessed and grateful for having such an opportunity, as I am trying to find my voice and place in the American Theater universe. Much appreciation.”

Fog and Filthy Air

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

Fog and Filthy Air

A New Drama Inspired by Real Life Events, About Family, Fog and a Road Trip Gone Horribly Wrong

Written by Tom Diriwachter
Directed by Jonathan Weber

March 6 – 23, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 1 hour 30 minutes, no intermission
COMMUNITY SPACE

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

A new drama inspired by real life events written by Tom Diriwachter about family, fog, and a road trip gone horribly wrong.

Following a desperate phone call, Tim arrives by bus at the Hound Dog Motel, a by-the-hour hellhole outside Memphis, Tennessee, with the purpose of rescuing his parents from a 1996 road trip to Graceland gone horribly wrong. As the mystery of how they became stranded unravels, Father tells of hitting a fog bank, leading to his having an emotional breakdown. Stuck in a purgatory overseen by a black velvet painting of Elvis, Fog and Filthy Air is an intense drama that finds humor in the worst of circumstances. Ultimately, it is a love story.

“Inspired by real life events, Fog and Filthy Air interlaces the universal themes of family, dreams and death to tell a love story for the ages,” says playwright Tom Diriwachter. “While stranded in a purgatory, the family must deal with their past while learning that the people you rely on, will inevitably come to rely on you.”

CAST
Steve Gamble
Bob Homeyer
Kate A. McGrath*

*Appears courtesy of Actors’ Equity Association

PRODUCTION
Set Designer: Evan Frank
Lighting Designer: Alexander Bartenieff
Sound Design: Roy Chang
Production Stage Manager: Sara Gierc
Publicity: Paul Siebold, OFF OFF PR
Photos and Graphic Design by Peter Welch

 

Tom Diriwachter (playwright) – Fog and Filthy Air is Tom’s eighth full-length play produced in Manhattan, and fourth at Theater for the New City. In addition, he has had numerous one-acts produced at various theaters and festivals in New York and Los Angeles, including the Strawberry Festival, the Turnip Festival, Love Creek, Ensemble Studio Theatre, and West Coast Ensemble. He has been a featured artist in the LES Festival for the past decade. His play Great Kills starred Joe Pantoliano. Asterisk, his play about the baseball steroid crisis, was archived by the New York Public Library for the Performing Arts at Lincoln Center. Recently, he completed his first novel, Good Money After Bad.

Jonathan Weber (director) – As Director, credits include: Great Kills (featuring Emmy Award-winner Joe Pantoliano), A Healthy House, Age OutGuaranteed to Never Lose SuctionShock TherapyBear!The Professor and the Whore, and The Irish Goodbye, all by Tom Diriwachter; Thelonious!, and Two Alone/Too Together by Peter Welch; two plays by Oliver Thrun and six by Walter Corwin. He was Assistant Director for TNC’s award-winning Summer Street Theater tour for 11 years, under the direction of Crystal Field. Jonathan is Managing Director for Theater for the New City. He has held this position since 2018 and previously from 2009 through 2014. His association with Theater for the New City goes back to 2002. He is a long-time member of the planning committees for TNC’s Love N’ Courage Benefit and the Lower East Side Festival of the Arts, which will celebrate its 30th anniversary this Memorial Day weekend. He served as Managing Director for TACT/The Actors Company Theater from 2015 through 2018. He’s also Sharon’s husband, Madeline’s father and a member of SDC.

Meet the Cast
Steve Gamble (Tim) originally from Charlotte, NC, is a graduate of The University of North Carolina Wilmington, where he earned a BA in Film Studies with a minor in Theater. Now based in New York, NY, Steve is thrilled to collaborate once again with Director Jonathan Weber and writer Tom Diriwachter, their first being on A Healthy House in 2022. With experience spanning both stage and screen, Steve has brought depth and versatility to a variety of supporting and lead roles.

Bob Homeyer (Father) has been working as a writer and actor in New York for the past 15 years. He has appeared in two prior productions written by Tom Diriwachter and directed by Jonathan Weber; Age Out (2010) and Great Kills (2015), in addition to several of Tom’s one acts for the Lower East Side Festival. Other credits include Christopher Marlowe’s Julius Caesar (also co-writer and director), Three of a Kind with Two Wild Cards (also writer and director), Sign in the Six O’Clock Sky, Grand Theft Musical, Three Mile Limit, An American Worker, Rebecca Bonnie Bob, and Creditors. Follow Bob on Instagram at @bobhomeyer.

Kate A. McGrath* (Mother) – Film credits include Julia in “Clandestine” (Best Supporting Actress Award winner, Houston Broadcast Film Critics Award – David LaRosa, Director); Maryann in “DEALeR” (Screenwriting nomination, 2nd Annual Golden Door International Film Festival – Nick DeMatteo, Director); Bird in “Requiem” (David LaRosa, Director); Connie MacStevenson in “The Tale of Nicky Newarkˆ (David LaRosa, Director); Nina in “Lock-Load-Love” (David LaRosa, Director); Jess in “Running Time” (JR Timmons, Director), Kate in “Superstar Talent” (Lenny Marcus, Director). Stage Credits include CATAPULT! at Theater for the New City, Life Without Parole at Manhattan Rep, Weep for the Virgins at Irish Repertory Theatre, Guaranteed Never to Lose Suction and Stops (Along the Road) at Theater for a New City, The Blue Room with Black Nexxus in conjunction with Susan Batson, No Way Out with Impetuous Theatre Group, Sustaining at Manhattan Theatre Source, MotherLove at Creative Artists Lab and The Last Resort at Chashama Theatre. Screenwriting credits include “Clandestine” (2016), “The Basement” (as part of “Requiem”, 2013) and “DEALeR” (2012).

*Member, Actors’ Equity Association.

THE SIX PATHS

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

THE SIX PATHS

February 19 – February 23, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

ONE WEEK ONLY!

Tickets: $20, Students & Seniors $15
Run Time: 100 minutes, no intermission
CABARET THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Inspired by a short story named “Coi Luan Hoi” by Than Long and translated by Trang Ha, The Six Paths is a spiritual exploration of Vietnamese Buddhism, telling the story of a young demon who grapples with his identity and purpose in the universe. Through his transformative journey toward enlightenment, the play delves into themes of self-realization, cultural identity, and the search for belonging. It spans approximately 70 pages and is divided into two acts, blending traditional Buddhist concepts with contemporary theatrical innovation. At its core, The Six Paths seeks to resonate with audiences emotionally, offering a window into Vietnamese culture while also reflecting our shared human experiences. This story can inspire conversations about identity, existence, and the meaning of life.

About the playwright:
My Le is a playwright, director, and theater designer from Vietnam. In 2022, she became the youngest director in Vietnam to ever debut at The Hanoi Opera House. She has worked with prestigious theaters in New York such as Theater for The New City, Theaterlab, New Perspective Theatre, JACK NY, Krymov Lab NYC, and Little Island.

CAST
Harsh as Demon 1
Belle Le as Female Spirit
TuQuyen Pham as Ly Ly
Amy Hart Nguyễn as White Demon
Siwapol Andy McMurray as Black Demon and Old Farmer
Mia Rouba M.Kiss as The Ox puppeteer and Human
Đavid Lee Huỳnh as Dia Tang (Voiceover)
VyVy Nguyễn as Mother (Voiceover)

PRODUCTION
Playwright – My Le
Director – My Le
Co-producer – Thi Le
Marketing and PR Manager – CeCe Lindsey
Stage Manager – Callie Stribling
Choreographer – Jeevika Bhat
Sound Designer – Joshua Nguyen
Puppet Designer – Yanniv Frank
Light Design – Nicholas Spink

WHEN GOLD TURNS BLACK

THEATER FOR THE NEW CITY
Executive Director, Crystal Field

Presents

WHEN GOLD TURNS BLACK

January 30 – February 16, 2025
Thursday, Friday, Saturday at 8:00 PM, Sunday at 3:00 PM

Tickets: $20, Students & Seniors $15
Run Time: 1 hour 15 minutes including intermission
JOHNSON THEATER

THEATER FOR THE NEW CITY
155 First Avenue (between 9th and 10th Street)
New York, NY 10003
Directions

Tommie Smith and John Carlos are heralded world class sprinters bound for Olympic glory when their controversial college professor challenges them to speak out against racism on campus. They would become emboldened at the idea that they could effect change by boycotting the 1968 Olympic Games in Mexico City, Mexico, so much that they would agree to do so. The idea of a boycott became a rallying cry for black athletes around the country. The boycott would eventually be called off after their champion and staunch supporter Dr. Martin Luther King Jr., is assassinated. Dr. King’s death sent shock waves of hopelessness and defeat throughout the movement. Determined to bring about world attention to the plight of black America, they each must first accomplish their initial goal of winning an Olympic medal to make the podium. Tommie, John, and along with Peter Norman would make a spontaneous and profound gesture on the world’s largest stage to protest racism, and injustice. Together their silent protest would create one of the most iconic photographs of the 20th century, inspiring generations and athletes of goodwill around the world years later.

CAST
Leon Alexander as Tommie Smith
Dimitri Dewes Jr as John Carlos
Sania Hyatt as Kim Carlos
Brian Patterson* as Peter Norman
Jeffrey Roth* as Brent Musburger
Kelechi Udenkwo as Professor Edwards
Jes Washington* as Denise Smith

PRODUCTION TEAM
Ron Wilks – Writer
Count Stovall* – Director
Jacqueline Scaletta – Lighting Design
Cianna S. Stovall – Set Design & Props
Lo Oliviér – Costume Design
Lanii Johnson – Wardrobe Assistant
Michele Baldwin – Technical Director & Projection Designer
Diana Brito – Projection Design Assistant
Amy Stoller – Dialect Coach
Janice C. Lane* – Stage Manager
Ana Pri – Assistant Stage Manager

*Appearing courtesy of Actors Equity Association

Financial Wellness Seminar

Financial Wellness Seminar

Tuesday, January 14, 2025 at 7:00 PM
CINO THEATER

FREE EVENT

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

TNC’s New City, New Blood Reading Series: As if I Care

Theater for the New City

Executive Director, Crystal Field

Presents

TNC’s New City, New Blood Reading Series:

As if I Care

Monday, February 3, 2025 at 7:00 PM
COMMUNITY SPACE

FREE

$5 Suggested Donation

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

As if I Care is a show in three parts about Elsie, a witty young woman who wants more out of her life and the people in it. Her loved ones are limited and seemingly unable to give her what she needs, but she also realizes that she can’t do everything on her own. It begs the question: what does it mean to ask for more as a young woman in the world today– especially one without a support system? How does she go about asking for more, even commanding it? And how does she heal from her trauma, move away from the past, and step into her power in the present? Although Elsie has been let down by most people in her life, she is steadfast to overcome that and find something better for herself.

CAST
Raye Levine as Elsie
Eduardo Ramos as Father/Raul
Julie Galdieri as Mother
Collin Orton as Sal
Greg Valenti-Gomez as Callum

Stephanie Okun is an award-winning playwright/screenwriter/direct or, blogger at New York Women in Film & Television and Tunespotter’s what-song.com, and student at NYU’s Educational Theatre MA program. She is also a proud alum of Stephen Sondheim’s Young Playwrights Inc. The theater has always been her home and there’s more to come.

Joan Kane is the founding Artistic Director of Ego Actus Theater Company. Off Broadway, she directed Sycorax at HERE, Play Nice! at 59e59 theaters, and I Know What Boys Want at Theatre Row. She directed Six Characters in Search of an Author in Oslo, Norway and Kafka’s Belinda in Prague. Joan was awarded Best Director in the United Solo Festival where she has directed six pieces. She is an alumni of the LaMama directing and playwriting symposiums in Umbria, Italy. Joan is a member of the Playwright/Director unit at Actor’s Studio, the League of Professional Theatre Women, the Dramatists Guild, and the Society of Stage Directors & Choreographers. www.EgoActus.com

TNC’s New City, New Blood Reading Series: What We Will Be

Theater for the New City

Executive Director, Crystal Field

Presents

TNC’s New City, New Blood Reading Series:

What We Will Be

Monday, January 13, 2025 at 7:00 PM
COMMUNITY SPACE

FREE

$5 Suggested Donation

Theater for the New City
155 First Avenue (between 9th & 10th Street)
New York, NY 10003
Directions

Set in early 1990’s Brooklyn, pregnant and hapless Elise returns to the borough to bring former Catholic priest and now-bartender Emmanuel – the lover she abandoned after he left the priesthood for her – back into her life.

CAST
ELISE – Katie Claire McGrath
EMMANUEL – David Lanson
KHALIL – Andrew Tejada
GLYNIS – Lauren Roth-Shaw
MARNIE – Laura Lee Botsacos
LANKFORD and DENNIS THE ORGANIST – James Rees
FATHER GABE and DARBO – Peter Kendall

Joe Thristino is a writer based in Brooklyn. In the realm of playwriting, he’s a Dramatist Guild member, having been a shortlisted finalist for The Ambassador Theater Group’s Playwrights Prize (Bringer of Doom) and Best One Act at The Tennessee Williams Play Festival (Release Note). His stage work has been performed at The American Academy of Dramatic Arts, Players Theatre, Dixon Place, and the Times Square Arts Center, among others. 

Mark Koenig is a director, actor, and writer. Film: The Monkey (Stephen King short film adaptation), Marry Me (Universal), Spooky Action (Ma and Pa Pictures), Kill Your Darlings (Sony), My Fair Liddy (Sandwoman Pictures). TV: The Food That Built America (History Channel), The Undesirables (pilot, Shake The Tree), 30 Rock (NBC-Universal). Theatre: Our Bar (Our Bar), Arnall in Line (13th St Repertory Theatre), Treplev in The Nina Variations (Shetler Studios). As a director and writer, Mark has helped devise and produce five full-length original plays. He is an Off-Broadway director (Bringer of Doom) and the former Artistic Director of Our Bar, a site-specific company that produces independent original theatre. Mark’s work has been heralded by both The Wall Street Journal (Shhhh) and director/producer Paul Feig (Silent Scenes from Quarantine – Powderkeg Media’s Shut-In Shorts). www.markakoenig.com